gekidasa: (Gotou)

Right. Been busy again, yada yada. But it doesn’t feel right to just skip through, so I’ll go off my notes for the episodes I watched (yes, I take notes while watching Kamen Rider, and yes, I realize what this says about me) but didn’t get around to blogging about.

Episodes 21-22 explore whether the desire to fight for justice can become twisted. The Yummy is born from a man who never passed the exam to become a lawyer, and was frustrated because he felt like a failure, and so he left his family. The Yummy initially targets criminals, and so the man accepts the Yummy as a way to punish those he perceives as wicked. From there, the show obviously moves to questioning whether this is really justice, and how self-righteousness twists a person’s sense of justice so they become cruel themselves.

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Mirrored from my blog at tl;dr.
I'd love it if you left comments over there, although it's fine here too! :D

gekidasa: (Zolda henshin)

Right. Been busy again, yada yada. But it doesn’t feel right to just skip through, so I’ll go off my notes for the episodes I watched (yes, I take notes while watching Kamen Rider, and yes, I realize what this says about me) but didn’t get around to blogging about.

Episodes 21-22 explore whether the desire to fight for justice can become twisted. The Yummy is born from a man who never passed the exam to become a lawyer, and was frustrated because he felt like a failure, and so he left his family. The Yummy initially targets criminals, and so the man accepts the Yummy as a way to punish those he perceives as wicked. From there, the show obviously moves to questioning whether this is really justice, and how self-righteousness twists a person’s sense of justice so they become cruel themselves.

Read the rest of this entry »

Mirrored from my blog at tl;dr.
I'd love it if you left comments over there, although it's fine here too! :D

gekidasa: (Gotou)

I enjoyed 19 and 20 as a whole a lot more than the two previous episodes. There’s quite a forward momentum to the story, and the story touches at one point or another on most of the key players (and someone who has not been a key player gets a great little moment too).

Read the rest of this entry »

Mirrored from my blog at tl;dr.
I'd love it if you left comments over there, although it's fine here too! :D

gekidasa: (Zolda henshin)

I enjoyed 19 and 20 as a whole a lot more than the two previous episodes. There’s quite a forward momentum to the story, and the story touches at one point or another on most of the key players (and someone who has not been a key player gets a great little moment too).

Read the rest of this entry »

Mirrored from my blog at tl;dr.
I'd love it if you left comments over there, although it's fine here too! :D

gekidasa: (Gotou)

The Yummy from these episodes was spawned by a gifted surgeon who wasn’t being allowed to do surgeries. Her pride led to Cazali using her to create a Yummy, and really, the point of these two episodes is about pride… or excess pride, rather.

Read the rest of this entry »

Mirrored from my blog at tl;dr.
I'd love it if you left comments over there, although it's fine here too! :D

gekidasa: (Gotou)

“I’m just trying to do what needs to be done.”

—Hino Eiji

Firstly, yes, that is what Eiji does, and that’s why he’s effective, he just does what he needs to get shit done. And that’s why he’s a hero, even though he doesn’t think of himself as one. He doesn’t do it for any other reason, other than someone has to.

Gotou finally understood. Up until he’s looked down on Eiji because he doesn’t behave or measure up to the idea that Gotou has of what a hero should be. He doesn’t think on a grand scale, of saving the world, just of helping in the here and now.

Gotou has finally realized that he’s spent all this time wanting to save the world without actually getting much accomplished, and he’s opened himself up to being used by Dr Maki because of a desire that he’s not actually doing anything about. He also realized that in the meantime Eiji has actually done more with his simple approach of helping whoever needs it, however he can.

So this leads two things. The first being that he’s only going to make a difference by doing whatever he can, whatever “needs to be done”, whether it is shooting Greeds with bazookas or just bringing new candroids to Eiji. I think that he’s come to accept that, and that he’s okay with it (which, by the way, I imagine is what opens the door to him actually becoming the man he needs to be in order to be a hero in his own right). The other is that he has let of his resentment of Eiji, and is willing to stand with him, and have his back. The moment Gotou holds out his hand to help Eiji get up after the fight was awesome, because you know that’s the moment that another great rider partnership is born.

“Brofists forever” and all that.

ETA: Just watched 13-14 and it was a bit premature to think Gotou had goten over all his issues :D;

Mirrored from my blog at tl;dr.
I'd love it if you left comments over there, although it's fine here too! :D

gekidasa: (Gotou)

So I’m thinking I’ve reached the point in OOO in which it hits its stride and characters and dynamics start to get interesting.

I still don’t really OOO‘s various suit designs, I’m not really into the whole props during battle aspect of the action (particularly the mantis appendages/weapons), but the underlying Buddhist theme makes it very interesting, Hino Eiji is quite likable, Ankh is fascinating, and at this point characters I knew I’d like are starting to get more screentime… and characters I didn’t expect to care much about one way or the other have snuck up on me.

Read the rest of this entry »

Mirrored from my blog at tl;dr.
I'd love it if you left comments over there, although it's fine here too! :D

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